Trey songz chapter v all songs plus#
Click the AdBlock Plus icon in the browser extension area in the upper right-hand corner.Refresh the page or click the button below to continue.Under “ Pause on this site” click “ Always”.Click the AdBlock icon in the browser extension area in the upper right-hand corner.As the unique collaboration juxtaposes archival Fossil elements with novel STAPLE trademarks, the collaboration is a true ode to the passage of time and the art of collecting.Īdblock Adblock Plus Adblocker Ultimate Ghostery uBlock Origin Others The watch comes in three colorways, inspired by urban landscapes as well as nature.
“This year is actually the 25th anniversary of the founding of STAPLE,” he expressed, “My role is to spread knowledge because, for me, if I keep all the information to myself, the culture doesn’t grow - it stifles.”Īll of this connects back to the exclusive collection, which has now officially launched on, , and Hypebeast’s online shop and New York HBX storefront. Staple knows a thing or two about paying his dues in the industry and trusting in time’s plan as well. It only makes sense that these industry shakers were chosen to share this moment with STAPLE x Fossil, as pplpleasr, Nick Wooster, and Westside Gunn all emphasized how having faith in time brought them clarity. pplpleasr echoed this sentiment by reflecting on her upbringing, “I have been interested in art ever since I was a child.” Wooster’s career was not linear, but he has found his way to a fulfilling career and chapter of his life, now getting to be surrounded by innovative thinking and like-minded creators. “I was a hustler and businessman ever since I was a kid,” shared Westside Gunn, who has been recognized for his multifaceted career as a rapper, co-founder of a music label, and even designer. When asked to share how each maintained their resilience, even through the obstacles of life, the speakers all shared that delving deep into their passions is what led them to success. Each of the panelists represented different backgrounds and artistic paths, but it’s their shared stories of trials and tribulations through time and a common love for their respective crafts that led them to where they are today. Attempts to repeat that formula are mostly fun and certainly preferable to the more blatant misfires (was there really ever any need for a song called "Panty Wetter?"), but Trey Songz is at his best when he sticks to his more insular tendencies, subtly reshaping and building upon the reassuring conventions of the genre.Jeff Staple, designer and streetwear mogul, took to the mic to moderate the enlightening discussion, leading the conversation between artist Westside Gunn, creative consultant Nick Wooster, and digital creative and animation artist pplpleasr. It's a welcome departure from the tepid club fare like "Say Aah" with which he, for better or for worse, is usually associated. The regretful tenor hits its peak on lead single "Heart Attack," a stark ballad with just enough forward-thinking touches of electronic music to make it one of the year's best songs. The brand of moody atmospherics currently being celebrated in certain musical circles falls right within Trey Songz' wheelhouse, and the second half of the album shines by wholeheartedly devoting itself to this aesthetic, particularly on the regret-tinged "Bad Decisions" and "Fumble." It was no coincidence that Trey Songz' career, remember, really took off along with that of frequent collaborator and fellow mope Drake. Songz while rarely including him is that generic Trey Songz music is often exciting, and "Chapter V," his appropriately titled fifth album, is no exception. What gets lost in the whirling vortex of R&B discussion that surrounds Mr. Kelly shores up his fan base with throwback albums, Usher takes his musical cues from Ibiza and Chris Brown persists in being an irreconcilable d-bag, Trey Songz represents modern R&B's de facto leading man.
You go to Trey Songz when you need an R&B hook for your rap song, which makes him the target for those complaints about the music on the radio being too commercial.
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